So Super Duper follows the journey of Psyche, a gay superhero, as comes to terms with and embraces his sexuality. Earlier this year, creator and San Francisco resident Brian Andersen has collected the first 12-issues of the series into a shiny 326-page trade paperback. This week Andersen appeared on locally produced LGBT focused talk show 10 Percent with David Perry. You can watch the interview below, but also read some recent interviews with Andersen at ComicBook.com and the San Francisco Bay Guardian.
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DC’s editorial department back in spotlight as Batwoman’s creators step down
Batwoman proposal from issue 17.
Last night J. H. Williams III and W. Haden Blackman announced that they’re leaving Batwoman after 26 issues due to editorial interference that included being “prohibited from ever showing Kate and Maggie actually getting married.” Williams followed up the posting of his letter on Twitter with the comment “But must clarify- was never put to us as being anti-gay marriage.”
No one except those who were in the editorial board room knows if this decision was based on a company policy against DC’s LGBT characters getting hitched. It would seem odd in light of the company’s increasing comfort with prominent LGBT characters including Batwoman, Midnighter, Apollo, Sarah Rainmaker, Alysia Yeoh, and Alan Scott. What we do know is that DC erased every major character marriage — most notably the marriage between Superman and Lois Lane — when they relaunched the DC Universe in 2011. That suggests DC may have a policy to limit the marriage of title characters — no matter their sexual orientation. DC has never declared that limiting marriages is a policy.
No matter the justification for denying the marriage, the departure of Blackman and Williams once again brings negative attention to DC’s editorial department, who seem to have an increasing problem of not trusting some creators while putting too much faith in others.
The story Williams and Blackman have been telling is unique in the DC Universe, as they’ve had the freedom to tell it in a bubble without needing to shape their arcs around pesky multiple-title event storylines. Batwoman and Batman, Inc. were the only Bat-books given the luxury to sit out both “The Court of Owls” and “Death of the Family.” The result, free of crossover interruptions, is a complete story that can be read straight through from the first issue. Its lead character is also one of the best developed characters in the new 52. Continue Reading →